A three note bass line with noise. Principle notes are c, d#, f#. This means it doesn't easily fit in a major or minor key, but it would work in something largely in c minor or f# minor. This sample has a tale that fades out.
Part of the epsilon loopset, a set of complementary synth loops. It is in the key of c major, following the chord progression cmaj7 fmaj7. It is four bars long at 110bpm. It is normalized.
A member of the delta loopset, consisting of a set of complementary synth loops. It is in the key of c major, following the chord progression c7-f7-c7-f7. It is four bars long at 110bpm. It is normalized.
Bridge chord, named after en:Frank Bridge. Major chord with a minor chord a semitone above. Chord pictured followed by arpeggio with Db minor at the octave.
This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.
An ascending fifths sequence in C major. Notice the "circle of fifths" pattern in the lower staff similar to the descending fifths sequence, except going in the opposite direction.
Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.
I generated four square tones with increasing silence in between with audacity. The tones are the c major scale. It is very useful in old video games when you win or do something good.
